Fonds - John Boyle fonds

제목과 책임 영역 기술

본제목

John Boyle fonds

일반 자료 지정

    대등 표제

    그 외 제목 정보

    책임 영역 제목

    본 주기(노트)

    기술 계층

    Fonds

    기록보존소

    참조코드

    판 영역

    판사항

    판사항의 책임사항

    자료의 특정한 부분

    범위 사항(지도제작)

    투영 사항 (지도제작상의)

    좌표 사항(지도제작상의)

    범위사항(건축학적인)

    주제 관할과 액면가 (우표)

    영역 생산 일자

    일자(시기)

    • [ca. 1960]-2000 (Creation)

    물리적 기술 영역

    물리적 기술

    2.6 m of textual records and graphic material 30 works on paper (prints and drawings) 24 posters 4 multiples 2 compact discs 1 baked porcelain panel

    출판자 시리즈 영역

    출판자 시리즈의 본 제목

    출판자 시리즈의 대등 표제

    출판자 시리즈의 다른 제목 정보

    출판자 시리즈에 관한 책임사항

    출판자의 시리즈 내에서 번호 부여

    출판자 시리즈 주기

    기록물 기술 영역

    생산자 이름

    (1941 -)

    개인 이력

    John Bernard Boyle (1941- ) is an artist, activist, curator and writer who has lived and worked in St. Catharines, London, Elsinore, and Peterborough, Ontario. He married Janet Perlman, with whom he has one daughter, Emily. Boyle was educated at London Teachers’ College and the University of Western Ontario, and is self-taught as a painter. He taught elementary school in St. Catharines intermittently between 1962 and 1968. In 1974 he moved with his family to a converted church in Elsinore, Ontario (near Owen Sound), where he had his studio until 2002. He is currently based in Peterborough. Boyle began to exhibit his paintings in 1964, the same year he was inspired by meeting London artists including Jack Chambers and Greg Curnoe. In 1966 controversy arose at the London Public Library and Art Museum over Boyle’s exhibited piece Seated Nude. Boyle was an early participant in London’s 20/20 Gallery. In 1972 he designed sets for the play Buffalo Jump at Theatre Passe Muraille, Toronto; that same year he curated the first Billboard Show in St. Catharines. In 1980 Boyle completed the mural Our Knell for Queen Subway Station, Toronto. From 1973 through the 1990s, Boyle exhibited regularly at Nancy Poole’s Studio, Toronto. A key figure among the artist activists who established professional representation and rights for artists in the early 1970s, Boyle was the founding spokesperson of Canadian Artists Representation Ontario (CARO) in 1971. In 1970 he served as the first president of the Niagara Artists Co-operative (later Company). Boyle was a member of the Board of Trustees of the Art Gallery of Ontario, 1975-1977. Boyle has written extensively in journals including 20 Cents Magazine, Parachute, and Twelve Mile Creek. His regular column “According to Boyle” in CAROT (1975-78) dealt with challenges facing artists. Boyle has written three novels, No Angel Came (1995); and the unpublished The Gergovnians and The Peregrinations and Permutations of a Young Artist in Canada. His illustration and book design work includes The Port Dalhousie Stories by Dennis Tourbin (1987), as well as several magazine articles and book jackets. He initiated the discipline of “Canadology” in 1989 to record the social customs of the country. Boyle is a founding member (since 1965) and principal kazooist of The Nihilist Spasm Band. His work is represented in numerous Canadian collections, including the National Gallery, the Art Gallery of Ontario and the Montreal Museum of Fine Arts.

    보관 이력

    범위와 내용

    Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

    주기사항

    물리적 상태

    수집의 직접적 출처

    Fonds was acquired from the creator in 2003.

    정리

    기록물의 언어

      자료 규약

        원본 소장 위치

        다른 포맷의 이용가능성

        접근에 대한 제한

        Open

        이용, 재생산 및 출판 관리 용어

        Copyright is held by the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator(s) of these items. It is the researcher’s responsibility to obtain permission to publish any part of the fonds.

        검색도구

        A detailed inventory is available for this fonds.

        관련 자료

        관련 자료

        추가 이관

        Further accruals are expected.

        일반 주기

        Some material is in French and Japanese.

        대체 식별자

        표준 번호

        표준 번호

        접근점

        주제 접근점

        장소 접근점

        이름 접근점

        Genre access points

        제어 영역

        기록식별자 기술

        전거레코드 책임기관 식별자

        규칙 혹은 표준규정

        전거레코드 현지위

        전거레코드 상세정도

        생산 수정 삭제 일자

        기술 언어

          기술 규약

            자료

            인수 영역