Fondos - John Boyle fonds

Área de título y declaración de responsabilidad

Título apropiado

John Boyle fonds

Tipo general de material

    Título paralelo

    Otra información de título

    Título declaración de responsabilidad

    Título notas

    Nivel de descripción

    Fondos

    Institución archivística

    Código de referencia

    Área de edición

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    Declaración de responsabilidad de edición

    Área de detalles específicos de la clase de material

    Mención de la escala (cartográfica)

    Mención de proyección (cartográfica)

    Mención de coordenadas (cartográfica)

    Mención de la escala (arquitectónica)

    Jurisdicción de emisión y denominación (filatélico)

    Área de fechas de creación

    Fecha(s)

    • [ca. 1960]-2000 (Criação)

    Área de descripción física

    Descripción física

    2.6 m of textual records and graphic material 30 works on paper (prints and drawings) 24 posters 4 multiples 2 compact discs 1 baked porcelain panel

    Área de series editoriales

    Título apropiado de las series del editor

    Títulos paralelos de serie editorial

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    Declaración de responsabilidad relativa a las series editoriales

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    Nota en las series editoriales

    Área de descripción del archivo

    Nombre del productor

    (1941 -)

    Historia biográfica

    John Bernard Boyle (1941- ) is an artist, activist, curator and writer who has lived and worked in St. Catharines, London, Elsinore, and Peterborough, Ontario. He married Janet Perlman, with whom he has one daughter, Emily. Boyle was educated at London Teachers’ College and the University of Western Ontario, and is self-taught as a painter. He taught elementary school in St. Catharines intermittently between 1962 and 1968. In 1974 he moved with his family to a converted church in Elsinore, Ontario (near Owen Sound), where he had his studio until 2002. He is currently based in Peterborough. Boyle began to exhibit his paintings in 1964, the same year he was inspired by meeting London artists including Jack Chambers and Greg Curnoe. In 1966 controversy arose at the London Public Library and Art Museum over Boyle’s exhibited piece Seated Nude. Boyle was an early participant in London’s 20/20 Gallery. In 1972 he designed sets for the play Buffalo Jump at Theatre Passe Muraille, Toronto; that same year he curated the first Billboard Show in St. Catharines. In 1980 Boyle completed the mural Our Knell for Queen Subway Station, Toronto. From 1973 through the 1990s, Boyle exhibited regularly at Nancy Poole’s Studio, Toronto. A key figure among the artist activists who established professional representation and rights for artists in the early 1970s, Boyle was the founding spokesperson of Canadian Artists Representation Ontario (CARO) in 1971. In 1970 he served as the first president of the Niagara Artists Co-operative (later Company). Boyle was a member of the Board of Trustees of the Art Gallery of Ontario, 1975-1977. Boyle has written extensively in journals including 20 Cents Magazine, Parachute, and Twelve Mile Creek. His regular column “According to Boyle” in CAROT (1975-78) dealt with challenges facing artists. Boyle has written three novels, No Angel Came (1995); and the unpublished The Gergovnians and The Peregrinations and Permutations of a Young Artist in Canada. His illustration and book design work includes The Port Dalhousie Stories by Dennis Tourbin (1987), as well as several magazine articles and book jackets. He initiated the discipline of “Canadology” in 1989 to record the social customs of the country. Boyle is a founding member (since 1965) and principal kazooist of The Nihilist Spasm Band. His work is represented in numerous Canadian collections, including the National Gallery, the Art Gallery of Ontario and the Montreal Museum of Fine Arts.

    Historial de custodia

    Alcance y contenido

    Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

    Área de notas

    Condiciones físicas

    Origen del ingreso

    Fonds was acquired from the creator in 2003.

    Arreglo

    Idioma del material

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        Ubicación de los originales

        Disponibilidad de otros formatos

        Restricciones de acceso

        Open

        Condiciones de uso, reproducción, y publicación

        Copyright is held by the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator(s) of these items. It is the researcher’s responsibility to obtain permission to publish any part of the fonds.

        Instrumentos de descripción

        A detailed inventory is available for this fonds.

        Materiales asociados

        Materiales relacionados

        Acumulaciones

        Further accruals are expected.

        Nota general

        Some material is in French and Japanese.

        Identificador/es alternativo(os)

        Número estándar

        Número estándar

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        Puntos de acceso por materia

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            Fuentes

            Área de Ingreso