Fonds SC009 - Canadian Art Club fonds

제목과 책임 영역 기술

본제목

Canadian Art Club fonds

일반 자료 지정

    대등 표제

    그 외 제목 정보

    책임 영역 제목

    본 주기(노트)

    기술 계층

    Fonds

    기록보존소

    참조코드

    CA ON00012 SC009

    판 영역

    판사항

    판사항의 책임사항

    자료의 특정한 부분

    범위 사항(지도제작)

    투영 사항 (지도제작상의)

    좌표 사항(지도제작상의)

    범위사항(건축학적인)

    주제 관할과 액면가 (우표)

    영역 생산 일자

    일자(시기)

    • 1885-1949, predominant 1907-1915 (Creation)

    물리적 기술 영역

    물리적 기술

    38 cm of textual records 13 photographs

    출판자 시리즈 영역

    출판자 시리즈의 본 제목

    출판자 시리즈의 대등 표제

    출판자 시리즈의 다른 제목 정보

    출판자 시리즈에 관한 책임사항

    출판자의 시리즈 내에서 번호 부여

    출판자 시리즈 주기

    기록물 기술 영역

    생산자 이름

    (1907-1915)

    행정 연혁

    The Canadian Art Club was a Toronto-based exhibiting society active from 1907 to 1915. The club brought together the work of most of the leading Canadian painters and sculptors of the day, largely from Toronto and Montreal but also from abroad, for its annual exhibitions. It was formed by seceding members of the Ontario Society of Artists who rejected what they perceived as that group’s parochialism and low artistic standards. Among the founding artist members were W.E. Atkinson, Archibald Browne, Franklin Brownell, Edmund Morris, Homer Watson (first president of the club) and Curtis Williamson. The artists were soon supported by a considerable number of members who were not artists (referred to as ‘lay members’ in documents). Part of the club’s purpose was to encourage expatriate Canadian artists, such as J. W. Morrice and Clarence Gagnon, to associate with the club and to exhibit in Canada. It succeeded in affording sympathetic reception in Toronto for prominent Quebec artists of the time, like Marc-Aurèle de Foy Suzor-Coté. After the death in 1913 of Edmund Morris, honorary secretary and chief organizer, the club declined amid disputes between members until it ceased to function in 1915. The Canadian Art Club was formally dissolved about 1933.

    보관 이력

    The records of the Canadian Art Club were retained by Charles E. Stone, lay member and treasurer of the club, after its dissolution. They passed to his son, Edgar J. Stone, who donated most of them (including Canadian Art Club annual exhibition catalogues, artists’ correspondence with Edmund Morris and others and the collection of bills and receipts) to the Art Gallery of Toronto in 1953. His daughter, Elizabeth Elliott, donated the minute book, cashbook, chequebook, dissolution correspondence and Letters Patent, to the Art Gallery of Ontario in 1984.

    범위와 내용

    Fonds consists of the records of the Canadian Art Club, including minutes of the organization’s meetings, constitution and by-laws, membership lists, photographs of artworks, documents of incorporation (1909) and ultimate dissolution (1930s) and club financial records in the form of ledgers and a collection of bills and receipts. Materials related to club exhibitions and dinners are supplemented by an extensive collection of clippings from reviews in newspapers of the day. Correspondence forms a significant portion of the papers, especially that to and from Edmund Morris, secretary of the club for several years. Papers related to the founding of the Art Museum of Toronto and the Central School of Industrial Art and Design are also included. Fonds is comprised of the following series: 1. Minutebook 2. Transcribed minutes and other documents 3. Records of annual banquets and exhibitions 4. Club lists 5. Photographs 6. Replies to dinner invitations 7. Scrapbooks/press clippings 8. Bills and receipts 9. Cash book 10. Records of club dissolution 11. Notes on a Toronto art school 12. Miscellaneous papers 13. Correspondence (Edgar J. Stone collection)

    주기사항

    물리적 상태

    수집의 직접적 출처

    Donated by Edgar J. Stone in 1953 and Elizabeth (Stone) Elliott in 1984.

    정리

    기록물의 언어

      자료 규약

        원본 소장 위치

        다른 포맷의 이용가능성

        접근에 대한 제한

        Open

        이용, 재생산 및 출판 관리 용어

        Material in this fonds is in the public domain. Permission of the Art Gallery of Ontario is required for publication.

        검색도구

        This finding aid supersedes documents prepared by Christopher Carson in 1985 and AGO library staff in ca. 1996. The 1985 finding aid included no box/file listing. Box numbers from the AGO listing (ca. 1996) are only partially applicable (see General note).

        관련 자료

        Correspondence to Edmund Morris as secretary of the Canadian Art Club can be found in the Edmund Morris fonds (SC007).

        관련 자료

        추가 이관

        No further accruals are expected.

        일반 주기

        Previously known as the “Canadian Art Club papers” or “Canadian Art Club scrapbooks.” Series 13: Correspondence was until 2004 a discrete collection known as the Edgar J. Stone collection. Its contents were incorporated into the Canadian Art Club fonds in June 2004, having the same provenance as other materials donated by Edgar J. Stone in 1953.

        일반 주기

        In 2004, Box 1 of the ca. 1996 AGO finding aid was divided into Boxes 1 and 3 of the current description. Box 2 remains unchanged. To these was added Box 4 containing Series 13: Correspondence (Edgar J. Stone collection).

        일반 주기

        Copies of the catalogues of the eight annual exhibitions (1908-1915) of the Canadian Art Club originally in this fonds were withdrawn between 1953 and 1973 and catalogued as rare books in the collection of the E.P. Taylor Research Library & Archives of the Art Gallery of Ontario. The officers and members of the club are listed in each catalogue.

        대체 식별자

        표준 번호

        표준 번호

        접근점

        주제 접근점

        장소 접근점

        이름 접근점

        Genre access points

        제어 영역

        기록식별자 기술

        전거레코드 책임기관 식별자

        규칙 혹은 표준규정

        전거레코드 현지위

        전거레코드 상세정도

        생산 수정 삭제 일자

        기술 언어

          기술 규약

            자료

            인수 영역