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The Soroptimist Club was formed in Oakland, California in 1921 for women who hold executive status in business, government or a profession. Membership was by invitation only and was limited to women with careers outside of the home. The aim of the Soroptimist Club was to provide service to the community, usually through fundraising and donations, to promote the advancement of women in business and to maintain high ethical standards in professional life.

The Soroptimist Club of the Sudbury Nickel District was chartered on January 29, 1949. It was founded by Margaret Kerr of Montreal. Elizabeth Soutar (Bess Soutar), head of the local Victorian Order of Nurses (V.O.N.), was the first President of the Sudbury Nickel District chapter. The club met twice monthly, on the second and fourth Mondays, the first only for business and the second to have a dinner meeting followed by business and/or a speaker. These early meetings were held mainly at Cassio's Motor Hotel or in members' homes.

During it's life, the Soroptimist Club sponsored many community projects, including providing a monthly allowance for three years to a nurse in training; Christmas dinners to elderly members of the community; sponsoring the Soutar Senior Citizen's Club; sending underprivileged children to summer camp; giving a clothing allowance to a secondary school student, which allowed her to graduate; providing rent for underprivileged college students during the summer months; donating $500 to the Centennial Project for trees in Bell Park; giving a donation of $1000 so a room could be refurnished at the Y.W.C.A. and putting on concerts.

The club celebrated their 25th Anniversary with dinner at Cassio's Motor Hotel in the Venetian Room on June 8, 1974. However, membership and participation in the club was declining. By 1975 meetings dwindled and only seven or eight women were taking an active interest, so in 1976 the club's activities came to an end after 27 years.

Club Presidents:
Bess Soutor 1949-1950
Kay Elliott 1950-1950
Allegra Walker 1951-1952
Eleanor Hambley 1952-1954
Lempi Johnson 1954-1955
Grace Wigg 1955-1957
Thelma Paulson 1957-1959
Ursala Black 1959-1961
Margaret Blue 1961-1962
Mary Brown 1962-1964
Florence Tomlinson 1964-1966
Myrtle Kennedy 1966-1969
Editha McLellan 1969-1970
Mary Brown 1970-1972
Myrtle Kennedy 1972-1974

The Chelmsford Women's Institute was founded on June 3rd, 1949. It was created by the women of Chelmsford as a branch of the pre-existing Women's Institutes in Canada, founded by Adelaide Hoodless in 1897. Mrs. Grace McCrystal (nee Vaillancourt) organized the first meeting at her home in Chelmsford and sixteen ladies attended to listen to District President, Mrs. H. Williams, and District Secretary, Mrs. J. Hamilton, explain the work and aims of the Women's Institute.

The organization was founded as a non-partisan and non-sectarian group with the primary goal of education. Standing committees included Agriculture and Canadian Industries, Citizenship and Education, Community Activities and Public Relations, Historic Research and Current Events, Home Economics and Health, and Resolutions.

The Women's Institute helped local families in need, usually by raising funds, donating clothing or sending flowers. They also gave monetary donations to national causes, such as the Red Cross, presented papers at meetings on the topics of agriculture, local history, geography, shopping and hygiene and hosted events for members, such as baby showers, Christmas gift exchanges and sleigh rides. The group also took it upon themselves to document the history of Chelmsford with the creation of their Tweedsmuir History Scrapbooks between 1949 and 1956. The research for these scrapbooks was undertaken by their Historic Research and Current Events Standing Committee Convener, Rose Cvitkovich.

The Chelmsford Women's Institute officially disbanded in 1960.

Former Presidents of the Chelmsford Women's Institute include:

Mrs. A. Rheaume (1949 - 1950)
Mrs. Albert DeFinney (December 1950 - April 1951)
Mrs. Yvonne Trottier (nee Paquette) (1951 - 1952, 1953 - 1955)
Mrs. G. Castonguay (1952)
Mrs. R. Cvitkovich (1956)

Robert Frederick Hagan, painter, printmaker and educator, was born in Toronto, Ontario in 1918. He was educated at Central Technical School (Toronto) and the Ontario College of Art. From 1941-1946, Hagan was employed as Resident Artist and Master at Pickering College in Newmarket, Ontario. In the spring of 1946, Hagan journeyed to New York for further studies. Later the same year, he began teaching at the Ontario College of Art. In 1955 he became Head of Printmaking, a position which he held until his retirement in 1983. Frederick Hagan has held memberships in the Canadian Society of Graphic Art (of which he was made an Honourary Member in 1965), the Canadian Society of Painter-Etchers and Engravers, the Ontario Society of Artists, and the Print and Drawing Council of Canada. His work is in the collections of numerous Canadian galleries. Frederick Hagan passed away on September 6, 2003 at the age of 85.

Frances Norma Loring, sculptor, was born in Wardner, Idaho October 14, 1887. She studied sculpture in Geneva, Munich and Paris 1901-1905. In 1905 at the Art Institute of Chicago, she met Florence Wyle with whom she subsequently shared studios in New York (1909-1912) and Toronto (1912-1966). A member in 1920 of the Ontario Society of Artists, she was a founding member (1928) of the Sculptors' Society of Canada and a chief organizer of the Federation of Canadian Artists and the National Arts Council. Among her best-known public monuments are the lion of the Queen Elizabeth Monument in Toronto (originally near the entrance to the Queen Elizabeth Way) and war memorials at St Stephen, New Brunswick and Cambridge (formerly Galt), Ontario. Frances Loring died in Newmarket, Ontario February 3, 1968.

Florence Wyle, sculptor, was born in Trenton, Illinois November 24, 1881. While studying at the School of the Art Institute of Chicago in 1905, she met Frances Loring, with whom she later moved to New York. Loring moved to Canada in 1912, where Wyle joined her the following year. They each produced a considerable body of work in their studio, a converted church, in Toronto. A member of the Ontario Society of Artists (1920), Wyle was the first woman sculptor to become a full member of the Royal Canadian Academy. She was also a published writer (Poems, 1958). Among her public sculptures is the relief of Edith Cavell on the grounds of the Toronto General Hospital. Florence Wyle died in Newmarket, Ontario January 13, 1968. Loring & Wyle’s works are in the collections of the Art Gallery of Ontario, the National Gallery of Canada and the Canadian War Museum and in several public and private buildings in Ontario.

John Bernard Boyle (1941- ) is an artist, activist, curator and writer who has lived and worked in St. Catharines, London, Elsinore, and Peterborough, Ontario. He married Janet Perlman, with whom he has one daughter, Emily. Boyle was educated at London Teachers’ College and the University of Western Ontario, and is self-taught as a painter. He taught elementary school in St. Catharines intermittently between 1962 and 1968. In 1974 he moved with his family to a converted church in Elsinore, Ontario (near Owen Sound), where he had his studio until 2002. He is currently based in Peterborough. Boyle began to exhibit his paintings in 1964, the same year he was inspired by meeting London artists including Jack Chambers and Greg Curnoe. In 1966 controversy arose at the London Public Library and Art Museum over Boyle’s exhibited piece Seated Nude. Boyle was an early participant in London’s 20/20 Gallery. In 1972 he designed sets for the play Buffalo Jump at Theatre Passe Muraille, Toronto; that same year he curated the first Billboard Show in St. Catharines. In 1980 Boyle completed the mural Our Knell for Queen Subway Station, Toronto. From 1973 through the 1990s, Boyle exhibited regularly at Nancy Poole’s Studio, Toronto. A key figure among the artist activists who established professional representation and rights for artists in the early 1970s, Boyle was the founding spokesperson of Canadian Artists Representation Ontario (CARO) in 1971. In 1970 he served as the first president of the Niagara Artists Co-operative (later Company). Boyle was a member of the Board of Trustees of the Art Gallery of Ontario, 1975-1977. Boyle has written extensively in journals including 20 Cents Magazine, Parachute, and Twelve Mile Creek. His regular column “According to Boyle” in CAROT (1975-78) dealt with challenges facing artists. Boyle has written three novels, No Angel Came (1995); and the unpublished The Gergovnians and The Peregrinations and Permutations of a Young Artist in Canada. His illustration and book design work includes The Port Dalhousie Stories by Dennis Tourbin (1987), as well as several magazine articles and book jackets. He initiated the discipline of “Canadology” in 1989 to record the social customs of the country. Boyle is a founding member (since 1965) and principal kazooist of The Nihilist Spasm Band. His work is represented in numerous Canadian collections, including the National Gallery, the Art Gallery of Ontario and the Montreal Museum of Fine Arts.

Samuel J. Zacks (1904-1970) was a financier, Zionist and art collector, born in Kingston Ontario and educated at Queen’s University and Harvard. He married Ayala Ben Tovim Fleg in 1947, whereupon they immediately began to collect art of the School of Paris as well as Canadian and Israeli art and antiquities, amassing an extensive collection by the late 1950’s that was in continual demand by museums around the world. Mr. and Mrs. Zacks were both involved in international art circles, sitting on the Boards of the International Committee of Museums (ICOM), a branch of UNESCO, the International Committee of the Museum of Modern Art, the Art Gallery of Ontario and others. In 1969 Mr. Zacks received an Honourary Fellowship from St. Peter’s College, Oxford. He died in 1970 in Toronto.

George Agnew Reid (1860-1947) was a Canadian artist, architect, educator and administrator influential in the early 20th century and instrumental in the formation of a number of important Canadian art institutions. Born in Wingham Ontario to a Scottish farm family, he studied architecture and book-keeping at his father’s insistence. In 1878 he moved to Toronto to study art. He was able to extend his art education under Thomas Eakins in Philadelphia, where he met the painter Mary Heister. In 1888 the couple travelled to Europe and studied at the Julian and Colorossi Academies, returning to Toronto in 1889. The house he designed and built in Wychwood Park was his home until the end of his life. In 1890, George Reid began reaching at the Central Ontario School of Art and Design. He eventually became principal and researched new theories of art education in the United States and Europe. Under his direction, the art school became independent of the Board of Education and moved into its own building, which he designed, in 1921. He also served as its first Principal. In 1892, George and Mary Reid built two cottages from his design at the artist colony in Onteora, New York. This led to the design of other summer homes and a small church in the Catskills community. They spent summers at this location until 1917 when the war made travel to the United States difficult. In 1921 Mary Heister Reid died, and in 1923 George Reid married Mary Wrinch, a former student and close friend of his first wife. His later life was filled with accomplishments, including the painting of murals for public spaces in Toronto City Hall, Jarvis Collegiate, the Royal Ontario Museum and elsewhere. He was instrumental in obtaining permanent funding and staff for the National Gallery in Ottawa, and was a force behind the establishment of the Art Gallery of Toronto. He was a member of the RCA, serving as President 1906-1907. He influenced a generation of students, among them C.W. Jefferys, through his teaching and created a number of works that exemplify his generation, including Forbidden Fruit, Mortgaging the Homestead, and The Foreclosure of the Mortgage.

Lawrence Arthur Colley Panton (1894-1954) was a Canadian painter, educator and academician active in Toronto from the 1930s until his death. Born in England, he immigrated to Canada at 17. He served in the Army during 1916-1919 and studied art in the evening after his return from the war. In Toronto, he worked at Rous and Mann as a designer until 1924 when he began his teaching career, first at the Central Technical School and then at Western Technical School (1926-37), Northern Vocational School (1937-51) and finally principal of the Ontario College of Art (1951-54). In 1920 he married Marion Pye; their son Charles was born in 1921 and died in action in 1944. Panton was active in a number of organizations, including the Ontario Society of Artists (President 1931-37), the Canadian Society of Painter-Etchers and Engravers, the Canadian Group of Painters, The Royal Canadian Academy and the Arts and Letters Club (President 1953-54).