Affichage de 191 résultats

The Querney family first came to Sudbury, Ontario in 1937 from Toronto, Ontario due to Ernest T. Querney's new position as Manager of the Northern Electric Company Limited. Ernest & Marjorie Querney's son Alan Querney was born November 3, 1929 in Toronto.

In 1972, Bill Muirhead, a family friend, sold his family's business (Muirhead Stationers Limited) to Alan Querney. After Alan Querney's sons graduated university, they became co-owners of the business as well. Tom Querney (trained in economics, Chartered Accountant) became the general manager, Bill Querney (McMaster, Commerce Degree) the furniture warehouse manager, and John Querney (Laurentian, Commerce Degree) the sales manager of the office furniture section. Alan Querney retired around 2002 and Tom Querney became President of Muirheads.

In May 2005, the Querney family sold Muirheads to Grand & Toy, an OfficeMax company. They became the largest commercial office products company in Northern Ontario.

In 2009, John and Bill Querney decided to leave Grand & Toy and start their own office supply business. Querney's Office Plus opened to the public at 67 Elm Street (right beside the former location of Muirheads), Sudbury, Ontario on July 19, 2010 with the grand opening celebration on October 21, 2010.

Robert Thomas Stevens [Roberto Tomaso Stefanizzi] was born in Cellara, Cosenza, Calabria, Italy on February 23, 1896 to Gaetano Stefanizzi and Gaetana Caliguiri. At the age of 6, he immigrated to Canada with his uncle Francesco Steffanzzi (aka Frank Stevens d. 1941 age 70) in 1902 while the rest of his family remained in Italy.

As a teenager during the first world war, Stevens operated a commissary at Nobel for the explosives plant employees. Stevens enjoyed being an entrepreneur and in 1918, he decided to venture into the film industry by opening his first theatre in Sudbury on Elm Street East. His theatre business thrived and over the years, Stevens expanded his business with the acquisition of additional theatres in Sturgeon Falls, Creighton Mine and Sault Ste. Marie. For a few years, Stevens also owned a theatre in Espanola. In August 1939, Stevens opened the large Regent Theatre on Elm Street in Sudbury. This theatre was well known for its size in Northeastern Ontario.

On December 4, 1923, Robert Stevens married Florence Boucher, a nurse originally from Whitefish, Ontario. The ceremony was held in Little Current, Ontario. They had six children; Joseph 'Robert' Guy (1924-1968), 'William' Alfred (1926-1988), 'Thomas' Joseph (1928-), Anne Marie (1930-2004, married name Ripley), John (1931?-), and Margaret Theressa (1934-).

During the second world war, Robert Stevens, along with many other Italian-born Canadians, was closely monitored by authorities. On August 24, 1940, Stevens was a patient at St. Joseph’s Hospital, suffering from a slight ailment. At 10 a.m. he was arrested on charges, under the Defence of Canada Regulations, for during August 14 to 20, 1940 “making statements intended to, or likely to, prejudice recruiting, training, discipline and administration of His Majesty’s forces,” and “making statements intended to, or likely to, cause disaffection to His Majesty.” He was escorted from his hospital room to the Royal Canadian Mounted Police headquarters for questioning. Afterwards, he was taken to the courthouse. Stevens was denied bail by the Magistrate and placed in a prison cell at the Sudbury District Jail until his trial three days later. Stevens plead guilty to the first charge and was fined $25. The second charge was dropped.

Robert Thomas Stevens became ill in January 1943 and passed away at St. Joseph's Hospital in Sudbury on February 13, 1943 at the age of 46.

History of Accumulator

The Canadian Art Club was a Toronto-based exhibiting society active from 1907 to 1915. The club brought together the work of most of the leading Canadian painters and sculptors of the day, largely from Toronto and Montreal but also from abroad, for its annual exhibitions. It was formed by seceding members of the Ontario Society of Artists who rejected what they perceived as that group’s parochialism and low artistic standards. Among the founding artist members were W.E. Atkinson, Archibald Browne, Franklin Brownell, Edmund Morris, Homer Watson (first president of the club) and Curtis Williamson. The artists were soon supported by a considerable number of members who were not artists (referred to as ‘lay members’ in documents). Part of the club’s purpose was to encourage expatriate Canadian artists, such as J. W. Morrice and Clarence Gagnon, to associate with the club and to exhibit in Canada. It succeeded in affording sympathetic reception in Toronto for prominent Quebec artists of the time, like Marc-Aurèle de Foy Suzor-Coté. After the death in 1913 of Edmund Morris, honorary secretary and chief organizer, the club declined amid disputes between members until it ceased to function in 1915. The Canadian Art Club was formally dissolved about 1933.

The Art Institute of Ontario (AIO) was incorporated in 1951 to circulate art exhibitions, lecturers, and instructional programmes to venues in smaller communities. The idea of an art institute had been discussed informally as early as 1948, and the Art Gallery of Toronto had organized circulating exhibitions. The AIO was formed when a grant from the Ontario Department of Education made it possible to sponsor a travelling exhibition throughout the province. Later grants from the Atkinson Foundation, the Canada Council, and the Province of Ontario Council for the Arts supported AIO’s operations. The AIO was an alliance of several Ontario visual arts institutions and organizations. Its founding members were the Art Gallery of Hamilton, Art Gallery of Toronto (now Art Gallery of Ontario), Hart House (University of Toronto), London Public Library & Art Museum, National Gallery of Canada, Ontario Association of Architects, Ontario Society of Artists, Royal Ontario Museum, Willistead Library and Art Gallery (Windsor) and the Windsor Art Association. The AIO maintained close ties with the Art Gallery of Ontario throughout its existence. It was absorbed into the extension programme of the AGO in 1968.

Factory 77, initially known as Galerie Scollard, was a Toronto artist-run gallery focused on art education which operated between 1976 and 1982. Galerie Scollard was established in Toronto in 1976 as a non- profit charitable organization by Dushka Arezina, a Yugoslavian emigrée, artist, and art historian. It was coined a “centre for education in vision” and was located on Scollard Street in Toronto. The gallery was operated by a Board of Directors of which Harvey Cowan was the chairperson and Kenneth Lund the president. Dushka Arezina sat on the Board of Directors as treasurer and was also the gallery’s executive director. Galerie Scollard ceased opera tions under that name in 1978 and was re-established as Factory 77 in November 1978 upon moving into a former carpet factory at 77 Mowat Ave. in Toronto’s Parkdale area. Factory 77’s operations were overseen by Arezina and a Board of Directors chaired by Lund, a Toronto lawyer. It aimed to present a broad view of contemporary visual arts by exhibiting established artists together with emerging ones. In the years between 1978 and 1982, the gallery mounted more than 13 exhibitions per year, featuring prominent Canadian artists such as Mary and Christopher Pratt, Lynn Do noghue, and Ken Danby. The gallery also placed significant emphasis on exhibitions by Eastern European artists such as Jiri Ladocha. The gallery aimed to foster student participation through exhibits of student and youth work, and placed significant focus on art education and appreciation outreach programs in elementary and secondary schools in the Toronto area. Due to financial and administrative difficulties, Factory 77 ceased operations permanently in February 1982.

The Ontario Fruit and Vegetable Growers’ Association (OFVGA) was established in 1859 as the Fruit Growers' Association of Ontario, making it one of Ontario and Canada’s oldest farm commodity organizations.

As the voice of Ontario’s fruit, vegetable and greenhouse farmers, the OFVGA is a nationally recognized not-for-profit association that advocates on behalf of Ontario fruit and vegetable farmers and the edible horticulture industry, and represents its members provincially, nationally, and internationally.